Patricia L. Boyd, Christian Andersen

Images

Installation view. Patricia L. Boyd. Ceiling Analysis, 2022. Secession, Vienna — Installation view. Ceiling Analysis, 2022. Secession, Vienna

Patricia L. Boyd. Ceiling Analysis II, 2022. Steel, aluminium, sheep wool, rope, carbine hooks, metal fixings. 260 x 603 x 75 cm — Ceiling Analysis II, 2022. Steel, aluminium, sheep wool, rope, carbine hooks, metal fixings. 260 x 603 x 75 cm

Patricia L. Boyd. Untitled, 2022. Polymer photogravure on Zerkall smooth 145gsm paper. 38 x 53,3 cm — Untitled, 2022. Polymer photogravure on Zerkall smooth 145gsm paper. 38 x 53,3 cm

Installation view. Patricia L. Boyd. Hold, 2021. Kunstverein München, München — Installation view. Hold, 2021. Kunstverein München, München

Patricia L. Boyd. Unearthed, 2019. Weeds, canvas, plinth. 165,4 x 110,5 x 14 cm — Unearthed, 2019. Weeds, canvas, plinth. 165,4 x 110,5 x 14 cm

Installation view. Patricia L. Boyd. Me, not, not-me, 2020. Front Desk Apparatus, New York — Installation view. Me, not, not-me, 2020. Front Desk Apparatus, New York

Patricia L. Boyd. Primula japonica ‘Apple Blossom’, Lychnis flos-cuculi, Dactylorhiza purpurella, Rosa centifolia ‘Fantin Latour’, Holcus lanatus, Leucanthemum vulgare, 2019. Framed found photographs and card. 47 x 35 cm — Primula japonica ‘Apple Blossom’, Lychnis flos-cuculi, Dactylorhiza purpurella, Rosa centifolia ‘Fantin Latour’, Holcus lanatus, Leucanthemum vulgare, 2019. Framed found photographs and card. 47 x 35 cm

Patricia L. Boyd. Sweepings, 2019. Video, looped — Sweepings, 2019. Video, looped

Patricia L. Boyd. Aeron Armrest I-XII (Cell Project Space, 02/01/2019-03/17/2019), 2019. Used restaurant grease, wax, damar resin, OSB, particle board, fiber lining paper.  175 x 121,2 x 15,8  cm — Aeron Armrest I-XII (Cell Project Space, 02/01/2019-03/17/2019), 2019. Used restaurant grease, wax, damar resin, OSB, particle board, fiber lining paper.  175 x 121,2 x 15,8  cm

Installation view. Patricia L. Boyd. Wall Pieces, 2019. Christian Andersen, Copenhagen — Installation view. Wall Pieces, 2019. Christian Andersen, Copenhagen

Installation view. Patricia L. Boyd. Mechanisms, 2017. The Wattis Institute for Contemporary Art, San Francisco — Installation view. Mechanisms, 2017. The Wattis Institute for Contemporary Art, San Francisco

Patricia L. Boyd. Untitled (SL-1200MK2), 2017. Used restaurant grease, beeswax, damar resin. 30,5 x 10,2 cm — Untitled (SL-1200MK2), 2017. Used restaurant grease, beeswax, damar resin. 30,5 x 10,2 cm

Installation view. Patricia L. Boyd. Good Grammar, 2018. Potts, Los Angeles — Installation view. Good Grammar, 2018. Potts, Los Angeles

Patricia L. Boyd. 35888, 2018. Unique silver gelatin photograms. 181 x 412 cm — 35888, 2018. Unique silver gelatin photograms. 181 x 412 cm

Patricia L. Boyd. Untitled (Aeron), 2018. Used restaurant grease, beeswax, damar resin. 13,5 x 31 cm — Untitled (Aeron), 2018. Used restaurant grease, beeswax, damar resin. 13,5 x 31 cm

Installation view. Patricia L. Boyd. Operator, 2017. 80WSE, New York — Installation view. Operator, 2017. 80WSE, New York

Patricia L. Boyd. Operator, 2017 (still). HD video, color, sound. 12:56 min — Operator, 2017 (still). HD video, color, sound. 12:56 min

Patricia L. Boyd. Bürger Belga & Bulgaro, 2017. Silver gelatin photogram. 260 x 157 cm — Bürger Belga & Bulgaro, 2017. Silver gelatin photogram. 260 x 157 cm

Patricia L. Boyd. Englische People, 2017. Silver gelatin photogram. 257 x 157,5 cm — Englische People, 2017. Silver gelatin photogram. 257 x 157,5 cm

Patricia L. Boyd. Impression 37.755524 | -122.41765609999999 (1), 2015. Silver gelatin photogram. 195 x 214,5 cm — Impression 37.755524 | -122.41765609999999 (1), 2015. Silver gelatin photogram. 195 x 214,5 cm

Patricia L. Boyd. Under Glass 2, 2015. Silkscreen on paper, MDF, Optiwhite glass. 152,5 x 152,5 cm — Under Glass 2, 2015. Silkscreen on paper, MDF, Optiwhite glass. 152,5 x 152,5 cm

Patricia L. Boyd. Carl dis/assembling w/ self, 2013 (still). HD video, color, sound. 3:25 min — Carl dis/assembling w/ self, 2013 (still). HD video, color, sound. 3:25 min

CV

Patricia L. Boyd
CV

Born 1980 in London
Lives and works in New York and London

Education
2008–2009 Chelsea College of Art and Design, MA Fine Art
1999–2002 University of Oxford, BA English Literature

Solo exhibitions
2024
Good Weather, Chicago  (upcoming)
 A Sort of Carbon Paper, Rob Tufnell, London
2023
Where you lie, Reena Spaulings Fine Art, New York
2022
Ceiling Analysis, Secession, Vienna
2021 
Hold, Kunstverein München, Munich
2020
Me, not, not-me, Front Desk Apparatus, New York
2019
Wall Pieces, Christian Andersen, Copenhagen
Men Assembling, Kunstverein München, Schaufenster, Munich
 Inter–, Reading International, Reading 
Joins, Cell Project Space, London (two-person, with Rosa Aiello)  
2018 
Patricia L. Boyd, 1856, Victorian Trades Hall, Melbourne 
Good Grammar, Potts, Los Angeles  
2017
 Operator, 80WSE, New York  
Us, 3236RLS, London 
2015
 1:1, Jan Kaps, Cologne 
Patricia L. Boyd, LONDON, London 
Patricia L. Boyd, Kiria Koula, San Francisco  
Under Glass, TG, Nottingham 
2014 
Metrics, Modern Art Oxford, Oxford
 CLINIC, Years, Copenhagen (two-person, with Rachal Bradley) 
2013
 Ovum, 0hio, Glasgow  
Nudes, Cubitt, London  
Carl dis/assembling w/self, commissioned by Frieze Foundation, EMPAC, and Channel 4 Television
 2012 
The Pull, The Vanity, Los Angeles

Selected group exhibitions 
2025
GRAFFITI, Museion, Bolzano (upcoming)
2024
 A Portrait in Fragments, Kunstverein für die Rheinlande und Westfalen, Düsseldorf 
A Reflection on the Sublime, Hiroshima City Museum of Contemporary Art 
Live Stream, Fluentum, Berlin
2023
Small world, Taipei Biennale, Taiwan

Perpetual Language, Croy Nielsen, Vienna
Slow Dance (3), Stadtgalerie Bern
Frequencies (and atmospheres), Galerie Eva Presenhuber, Zurich
Looking Back / The 13th White Columns Annual , White Columns, New York
2022 
Jahresgaben 2022, The Wig, Berlin
SIREN (some poetics), Amant Foundation, New York
Grafitti, Public Access, New York
Synonyms for Sorrows, Gordon Robichaux, New York
 Man’s Traces in Nature, Wschód, Warsaw
I heard myself close my eyes, then open them, Braunsfelder, Cologne 
2021
The Living House, Kunstverein Braunschweig, Braunschweig
Synonyms for Sorrows, Charim, Vienna
July August September, St. Apernstrasse 13, Cologne
2020 
Kasten, Stadtgalerie Bern, Bern 
2019
 Maskulinitäten, Bonner Kunstverein, Bonn 
Studio Photography: 1887-2019, Simon Lee Gallery, New York 
Absolute Thresholds, Galerie Francesca Pia, Zurich  
Who knows what the ostrich sees in the sand, Fanta, Milan
 Werethings, Plan B, Berlin 
2018 
Other Mechanisms, Secession, Vienna 
25 hr Diagram, First Continent, Baltimore
 In and Out of Place, CCS Bard Hessel Museum, New York 
Security Landscapes, DREI, Cologne 
2017
 Mechanisms, The Wattis Institute for Contemporary Art, San Francisco 
An Idea of A Boundary, San Francisco Arts Commission, San Francisco 
Our Words Return In Patterns, Galerie PCP, Paris 
Interiors, Front Desk Apparatus, New York
 2016
 Le Bourgeois, 3236RLS, London
 Affect and Exchange, King’s Art Place, Melbourne 
2014
 Representative Politics and the Politics of Representation, Steirischer Herbst, Graz 
Dependency, Gasworks, London 
2013
 12th Lyon Biennale, Meanwhile... Suddently and Then, Lyon 
How Can You Relate? A Case of Alienation and Closeness, The Showroom, London
 EXCHANGE, Flat Time House, London
 Waste, not., Galerie Gregor Staiger, Zurich

Curated projects
 2017 
AEROSOL, 500 Capp Street Foundation, San Francisco
2014 
Je Suis Feministe, Penarth Centre, London (co-organised with Morag Keil, Georgie Nettell and Lena Tutunjian)
2013
 Greens, The Modern Institute, Glasgow

Press 
2023
Riar Rizaldi, ‘Best of 2023: 35 Directors Pick Their Favorite Films of The Year’, Films in Frame HG Masters, ‘Taipei Biennial 2023: The Promises and Perils of a “Small World”’, Art Asia Pacific Sean Burns, ‘Trailer for a Spectacle: Taipei Biennial 2023’, Frieze Max Henry, ‘Correspondences: Curated by and Vienna Contemporary 2023’, Spike Art Magazine Hana Ostan Ožbolt, ‘Patricia L. Boyd and Na Mira’, Artforum Ted Targett, ‘Patricia L. Boyd’, Émergent ‘Shame and Composure’, Downtown Critic
Robin Waart, ’16 spaces: Patricia L. Boyd’s “Ceiling Analysis”', PW Magazine
2022 
Travis Diehl, ‘Singing from Jagged Rocks’, The New York Times (No. 59, 590)
2021
Saim Demircan, ‘Remote Working’, Art Monthly
 Francesco Tenaglia, ‘July, August, September’, ArtReview 
'Contact Barrier', Patricia L. Boyd in conversation with Dora Budor, Mousse Magazine
Gürsoy Doğtaş, ‘Critics’ Picks: Patricia L. Boyd, Munich’, Artforum
Quinn Latimer, ‘Hush, Hold’, Texte Zur Kunst 
2020
 Hiji Nam, ‘Critics’ Picks: Patricia L. Boyd, New York’, Artforum 
2019 
Amy Budd, ‘Building Blocks: Rosa Aiello and Patricia L. Boyd’, Frieze 
Emily LaBarge, ‘Rosa Aiello and Patricia L. Boyd: Joins,’ esse arts + opinions
 Jack Smirthwaite, ‘Patricia L. Boyd: Inter–’, Art Monthly 
2018 
Annie Godfrey Larnon, ‘Openings: Patricia L. Boyd’, Artforum 
Brandon Brown, ‘Mechanisms’, Art in America
 Emily Watlington, ‘An Idea of a Boundary’, Brooklyn Rail 
2017
 Patrick Price, ‘Critics’ Picks: Patricia L. Boyd, London’, Artforum
 2015
 Amy Budd, ‘Excluding the Unnecessary: Patricia L. Boyd’, A-or-ist
 2014 
Fatima Hellberg, ‘Fatima Hellberg on “Je Suis Feministe” At Penarth Centre, London’, Texte Zur Kunst 
Nick Warner, ‘Dependency’, Flash Art International 
2013
 Michele D’Aurizio, ‘MEET London-based artist Patricia L. Boyd’, Kaleidoscope

Collections
 Institut d'art contemporain, Villeurbanne